
The internet is a wonderful place for those holding polar opposite opinions any issue to clash in flame wars until their faces get red and glasses get steamy. The supergenre of “Metal” is certainly not an exception to this. From garbage like Linkin Park and Slipknot, to prehistoric Motorhead, raw Pig Destroyer and trendy Bring Me the Horizon, the rights to use the title of “metal” are hotly contested among it’s fractured following.
Once I was in the metal purist camp, and part of me still is. What is a “metal purist” you say? Well maybe I just coined the term, but a metal purist is one who hates all “untrue” genres that unrightfully use the holy name of metal. How can they claim some metal is “pure” and others are not?
For the sake of brevity, I will focus on Black Metal. What is Black Metal’s essence? It is the heroic melodies of the pre-Christian European peoples sent forward through time and distorted from its violent trip. It rejects capitalism and socialism in favor of something more organic. Black Metal distills metal philosophy and it is pure, just like the basic nationalist ethics of it would demand. The sound of a younger world ring true throughout any black metal album, and it is even evident in the names of bands, such as Primordial and Ancient. Black Metal celebrates nature, and not just nature in the PETA sort of way. It celebrates the natural order, the organic nations of the North, and the individual uninhibited in all his romantic glory. There is something to be said about how ineffable and incomprehensible Black Metal philosophy is to the average modern person is.
Black Metal eschews the populism, egalitarianism and ultimately the “dumbing down” that liberal democracy has brought to the world. Modern bureaucracy spawns from this, and the consequence is inevitable: we are all treated as being of the same general form, thus “equal,” and thus equally fit to serve in an industrial society and be subject to as near a mechanical process as possible. When this conflict between normative bureaucracy and the old order first hit Europe, the result was two world wars in rapid sequence. It is the most foundational schism of our time, and while we may not praise the old order as it was at the time, we might praise its ancestors: the ancients, or the classic civilizations of Greece, Rome and Scandinavia.
But as the popularity of this underground genre increase, the artistic quality seemed to decrease in an inversely proportionate relationship. Thus came about a wave of bands making Satanic music and purporting to “hate everyone equality” and “want death for all humanity,” without realizing they’d been played like a rental fiddle. The emulators did not have the musical subtlety of the original, and thus started making music that resembled punk rock with the trappings of black metal. They abandoned all of black metal philosophy except for it’s shallow, superficial shell that could fool the public. The very same public that it’s inherent and essential elitism was meant to ward off.
So, with Black Metal as our paragon of metal purity, where does this leave the metal? From anus.com:
“In roughly 1996, this decline became evident, and consequently metal fragmented once again. The dichotomy between mainstream and underground widened, and then closed, as mainstream bands began adopting the same techniques as underground, and fans looking into the underground found product that was not musically distinct from the mainstream pop as classic death and black metal had been. This vast failure of spirit, and collapse of metal culture, gave rise to nu-metal and similar genres in the mainstream. To understand why this music was formulated as it was, we must backtrack a slight bit….
…What remains of the nu-metal and black hardcore movements is the knowledge that once again, popularity took over, and bands instead of leading began to follow the desires their audience had in common, which tend to be of a lowest common denominator (perhaps a parallel to democracy is appropriate here; leaders in democracy do not lead, but read opinion polls and act out what they perceive as the simplest expression of the desire of their electorates). Ultimately, this was fatal to the metal movement as it existed, but the terminal decay started before, when the ideas germaine to the creation of these unique styles of music were expressed but the crowd still wanted more product (CDs, tshirts, DVDs, cigarette lighters). It remains enigmatic how such dissident genres can be so easily taken over, but perhaps the truth is that sheep can wear wolves’ clothing as well, and that because something is labelled as being dissident does not mean it understands the thought process behind reaching that state enough to express something relevant to it. Much as Christianity invaded pagan culture from within, and soon subverted it and turned its people against themselves, popularity – whether commercial or of the trend-underground type – invaded metal and divided it permanently.”
So why is Black Metal elitist by nature? Because it doesn’t want to change the world, it rejects it and refuses to let it in. Because it is the romantic sounds of our collective mythology that that world has abandoned.